Anthony Joseph in Conversation at the London Buddhist Centre

This time last week I was still reflecting on Anthony Joseph who read from his T S Eliot award winning collection of poetry Sonnets for Albert (2022). This really was a wonderful evening where Anthony was in conversation with Maitreyabandhu at the London Buddhist Centre, in East London on 21 October. This was part of a series of Poetry East events that the centre organise, held in the beautiful Buddhist Temple, which is adorned with an ambience of candles in abundance and vases of flowers that were remarkable to view.

My friend and I arrived early enough so as to get a front-row seat. Anthony was blessed with a full house and we were blessed with hearing many of the poems from Sonnets for Albert, written after the death of Anthony's father. The poems mainly stemmed from the absence of Anthony's father due to a range of factors including the fact that he had twelve children. Here's the first poem in the book's inside cover that sums up this theme perfectly:

FLACK AND HATHAWAY

My father would be gone.

Months into mystery.

But he persisted

in our longing.

We saw him

maybe once, maybe

twice a year. We sang

Flack and Hathaway,

that he would come running.

And while we waited

the myth of him grew,

till the anticipation

of his return

would fill each room. 

This event was so inspiring. I was moved by the emotional content of Anthony's poems, especially that despite the absence of his father, he grew to love him, which may have had something to do with Anthony living with his grandmother, his father's mother, who also experienced the same absence in her relationship with her son. Maybe growing up with his grandmother in Trinidad ensured that the connection with Anthony's father was less likely to be severed.

Anthony also discussed how the personal can be universal. I really like the way the book is structured; the shortness of the self-contained poems and their related themes didn't detract from the significance of their depth and breadth. I know it's a cliche but less is definitely more with this book. 

Some of the sonnets exceeded fourteen lines — I love a rebel poet! This was a deliberate action on Anthony's part, a kind of rule-breaking, a manipulation of the form, acknowledging the imperialism of not just the sonnet's form but its history. 

Black and white photographs taken in Trinidad and sprinkled throughout the book, was also a nice touch as we could see Anthony's father in a range of guises as well as other family members and garner a real sense of nostalgia. The white space behind each image worked really well to provide a slight distance from the text, a refreshing pause.

I also thought it would be really interesting to explore writing in the sonnet form myself at some point, in exactly the same rule-breaking way. 

This Poetry East event was so refreshing and thought-provoking, especially as I could resonate with the absent father theme although I didn't quite grow to love my father. Maybe it is a different scenario when you are growing up with your father's grandmother. How lovely that must have been for Anthony to at least find out about his father through his grandmother. It must be nice to be that close when you're growing up with your grandmother. I grew up with my grandmother so I totally understand that element.

No Q&A!

I mentioned this to Maitreyabandhu as I was leaving and he nodded as if to say yes I get you. There was more than enough time for a Q & A, since the event was two hours long, and included a tea-break too, so this was a missed opportunity. 

I got around this by making sure to ask Anthony a question while I was getting his book signed. My question was: How much artistic control did you have when putting the collection of poetry together. Anthony responded by saying that he did have artistic control which included curating the order of the poems and the book's landscape and inclusion of imagery. 

If you get a chance to see Anthony Joseph, don't hesitate. You will enjoy the experience!

Author Bio:

Anthony Joseph is a Trinidad-born poet, novelist, academic and musician. He is the author of four poetry collections and three novels. His 2018 novel Kitch: A Fictional Biography of a Calypso Icon was shortlisted for the Republic of Consciousness Prize, the Royal Society of Literature's Encore Award, and longlisted for the OCM Bocas Prize for Caribbean Literature. In 2019, he was awarded a Jerwood Compton Poetry Fellowship. As a musician, he has released eight critically acclaimed albums, and in 2020 received a Paul Hamlyn Foundation Composers Award. He is a Senior Lecturer in Creative Writing at De Montfort University, Leicester. Anthony was awarded the T.S. Eliot Prize for Sonnets for Albert (2022) his first poetry collection since Rubber Orchestra in 2013.