BlackInk is a magazine published by the Serendipity Institute for Black Arts and Heritage that focuses on Black arts, heritage, and cultural politics. BlackInk serves as a bridge between physical magazines and digital content, creatively uniting a diverse array of voices from the African and African Caribbean Diaspora, as well as from indigenous communities.
In my article, 'Rising Up the Crooked Ladder,' I explore Carol Leeming's remarkable career in the performing arts, which spans three decades. The piece highlights her experiences navigating racism, sexism, and ageism, while also showcasing Carol's personal and professional insights on sustaining a challenging career. Despite the obstacles she has faced, her commitment to making art happen remains unwavering.
The article originated from my studies in the Royal College of Art's MA Writing Programme, where my first assignment involved interviewing a person of cultural significance. I chose Carol for her prominent role as a performance artist who has left an indelible mark on the music, theatre, digital media, and literary arts industries.
I first met Carol Leeming years ago in Leicester. On one occasion, I was invited to partake in a Ntozake Shange Memorial event on December 21, 2018, at the Attenborough Arts Centre in Leicester. This event, co-hosted by Dare to Diva—an initiative established by Carol—celebrated Shange's life and literary legacy.
As a writer dedicated to highlighting untold narratives that reflect the complexity of Black history, culture, and heritage, I felt it was important to honour Carol as one of our sheroes this month.
